Two years and counting A pandemic of covanvirus covid infectionwe’ve all seen a lot misinformation and unwanted science, whether online, in cable news, or even in person, by those who want to share their (sighing) “alternative views”. Meanwhile, trust in experts and health care institutions is sadly low. It is easy for sensible people to feel exhausted trying to do the right things for their children’s health or education, in the face of so much negativity directed at science. Thus, the eponymous debut album Sound of Science – the coveted breath of fresh air. It reminds us that science is not a threat or a conspiracy, but a very important matter, worthy of our support and important for the understanding and learning of the younger generations. In this case, you can also dance to it.
The Sound of Science was created by two British musicians, Dean Honer and Kevin Pierce, who wanted to create educational music that could be enjoyed by children, but at the same time it would not be a “form of torture” for parents, Honer said. this is in the promotional material for the album. They succeeded in this and then in some, creating one of the most enjoyable auditions of the year. Each song on The Sound of Science adopts a different scientific concept, from atoms and elements to nebulae and the speed of light.
“Gravity” may be the choice of litter here. The mix in the song of choral children’s voices and vintage synthesizers sounds like a collaboration between Pastor TL Barrett and the choir “Youth for Christ” in 1971 and The legend of 10,000 Hz– the Air era in 30 years. It’s an irresistible song that begins with the juxtaposition of a voice that turns text into a speech that instills Isaac Newton, with Pierce and musician Sharon Krauss singing about the solar mass. Then the children’s choir Verve from Sheffield sings in the chorus the sharpest hook of the album: “Gravity is the force that keeps your feet on the ground.”
“These elements are in the spirit reminiscent of‘200 bars”, The final track on the 1992 classic record Laser tunes Spiritualized, where vocalist Kate Ridley peacefully counts from one to 200, and around her penetrates a gentle, synthesizing melody. The Sound of Science greatly enhances the energy of the idea by using a computer-generated voice to list the elements of the periodic table (with skillful help from a captured child on backing vocals) over the absolute belt of a pulsating electronic groove.
“The Water Cycle” is perhaps the most difficult track to record. What begins as a lush and absorbing filling of pastoral folk, with chic harmonies and brushstrokes of synthesizer bubbles (including, of course, water bubble patterns), suddenly explodes into a short but epic choral exclamation of “Rain, hail”. and snow! ” before falling silent to the sounds of quiet thunder and rain.
Each song, regardless of photosynthesis or global warming, has its own magical musical individuality, thanks to a variety of voices (human and synthetic) and consistently ingenious instruments.
How Scientific AmericanDirector of Digital Arts, I also appreciate this as every release from Locks in space the label, the graphic design of the album is as cool as the music, and a strong argument for buying a physical product rather than just broadcasting audio.
You can hear more about Sound of Science at Bandcamp. And you can listen Scientific AmericanCarefully selected Spotify playlist with other science-inspired e-bangers (built below) and check out our indie rock, surrounding and heavy metal Playlists of science songs on our Spotify channel.